& clean energy
Her debut album of algorithmic music ‘Formations’ (2003), heralded by the BBC as an “outstanding release, real musical science”, marked the beginning of her work as a pioneer in ‘organic electronic music’. In 2006, after creating a hardware bio-data processor and coded ‘aesthetic sonification’ system ‘PiP’ at her residency at the LSE, Mileece began touring her interactive immersive micro-ecology installations and performances at museums (MoMA, NYC, NHM, LA), festivals (Decibel Festival, Seattle, BHIF Festival, Bhutan), and venues (Kew Gardens, London, Sonos Studios, LA).
Combing interactive sculptures, original products, materials and instruments, her projects to 'promote ecology through technology and the arts’ have featured on prime time television broadcasts including the NY Times advertising of the year campaign (2013) and VICE Motherboard (2014) reaching over 100 million viewers.
Mileece frequently delivers presentations (PS1, NYC, Microfest, Hong Kong) and workshops (PS1, NYC, LACMA, LA) on ‘biophilic technologies’ whilst she sits on the board of Cygnus Atratus Fuel Cell group and develops her zero-impact energy, network-based urban wilderness sanctuaries inside technologically augmented biodomes, helping to balance our modern lives with the needs and benefits of the biosphere.